I have walked and walked.. For days and days.. every night the moon comes up to look over the dim world left for me to walk upon... I have seen every city.. every town... every rock around the corner.. I have walked these roads for the longest time.. They never end.. All of it.. Is dead and the world I lived in before.. has no chance to sprout out again.. I live in the united states.. I live in a state, but this state.. Is a Dead State. You awake in a vault, completely throwing you off track, but that's what I want, you as a stranger even to yourself, have no memory. But the note in your hand. Gives you an idea of who you are, but this story will be about finding out who you really are, now no I'm not making the story line similar to "Vegas". As the stranger You know nothing, the note tells you what you did know..
Actual map size is 132 mb zipped, 277mb unzipped.*
*WORKING LINKS 8/27/2023*
Fallout Minecraft Versions 2.4 Beta Download *
*OLD LINKS will update soon!*
v3.0 Upcoming.
License below to protect my work.
License
THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS CREATIVE COMMONS PUBLIC LICENSE ("CCPL" OR "LICENSE"). THE WORK IS PROTECTED BY COPYRIGHT AND/OR OTHER APPLICABLE LAW. ANY USE OF THE WORK OTHER THAN AS AUTHORIZED UNDER THIS LICENSE OR COPYRIGHT LAW IS PROHIBITED.BY EXERCISING ANY RIGHTS TO THE WORK PROVIDED HERE, YOU ACCEPT AND AGREE TO BE BOUND BY THE TERMS OF THIS LICENSE. TO THE EXTENT THIS LICENSE MAY BE CONSIDERED TO BE A CONTRACT, THE LICENSOR GRANTS YOU THE RIGHTS CONTAINED HERE IN CONSIDERATION OF YOUR ACCEPTANCE OF SUCH TERMS AND CONDITIONS.
1. Definitions
- "Adaptation" means a work based upon the Work, or upon the Work and other pre-existing works, such as a translation, adaptation, derivative work, arrangement of music or other alterations of a literary or artistic work, or phonogram or performance and includes cinematographic adaptations or any other form in which the Work may be recast, transformed, or adapted including in any form recognizably derived from the original, except that a work that constitutes a Collection will not be considered an Adaptation for the purpose of this License. For the avoidance of doubt, where the Work is a musical work, performance or phonogram, the synchronization of the Work in timed-relation with a moving image ("synching") will be considered an Adaptation for the purpose of this License.
- "Collection" means a collection of literary or artistic works, such as encyclopedias and anthologies, or performances, phonograms or broadcasts, or other works or subject matter other than works listed in Section 1(f) below, which, by reason of the selection and arrangement of their contents, constitute intellectual creations, in which the Work is included in its entirety in unmodified form along with one or more other contributions, each constituting separate and independent works in themselves, which together are assembled into a collective whole. A work that constitutes a Collection will not be considered an Adaptation (as defined above) for the purposes of this License.
- "Distribute" means to make available to the public the original and copies of the Work through sale or other transfer of ownership.
- "Licensor" means the individual, individuals, entity or entities that offer(s) the Work under the terms of this License.
- "Original Author" means, in the case of a literary or artistic work, the individual, individuals, entity or entities who created the Work or if no individual or entity can be identified, the publisher; and in addition (i) in the case of a performance the actors, singers, musicians, dancers, and other persons who act, sing, deliver, declaim, play in, interpret or otherwise perform literary or artistic works or expressions of folklore; (ii) in the case of a phonogram the producer being the person or legal entity who first fixes the sounds of a performance or other sounds; and, (iii) in the case of broadcasts, the organization that transmits the broadcast.
- "Work" means the literary and/or artistic work offered under the terms of this License including without limitation any production in the literary, scientific and artistic domain, whatever may be the mode or form of its expression including digital form, such as a book, pamphlet and other writing; a lecture, address, sermon or other work of the same nature; a dramatic or dramatico-musical work; a choreographic work or entertainment in dumb show; a musical composition with or without words; a cinematographic work to which are assimilated works expressed by a process analogous to cinematography; a work of drawing, painting, architecture, sculpture, engraving or lithography; a photographic work to which are assimilated works expressed by a process analogous to photography; a work of applied art; an illustration, map, plan, sketch or three-dimensional work relative to geography, topography, architecture or science; a performance; a broadcast; a phonogram; a compilation of data to the extent it is protected as a copyrightable work; or a work performed by a variety or circus performer to the extent it is not otherwise considered a literary or artistic work.
- "You" means an individual or entity exercising rights under this License who has not previously violated the terms of this License with respect to the Work, or who has received express permission from the Licensor to exercise rights under this License despite a previous violation.
- "Publicly Perform" means to perform public recitations of the Work and to communicate to the public those public recitations, by any means or process, including by wire or wireless means or public digital performances; to make available to the public Works in such a way that members of the public may access these Works from a place and at a place individually chosen by them; to perform the Work to the public by any means or process and the communication to the public of the performances of the Work, including by public digital performance; to broadcast and rebroadcast the Work by any means including signs, sounds or images.
- "Reproduce" means to make copies of the Work by any means including without limitation by sound or visual recordings and the right of fixation and reproducing fixations of the Work, including storage of a protected performance or phonogram in digital form or other electronic medium.
3. License Grant. Subject to the terms and conditions of this License, Licensor hereby grants You a worldwide, royalty-free, non-exclusive, perpetual (for the duration of the applicable copyright) license to exercise the rights in the Work as stated below:
- to Reproduce the Work, to incorporate the Work into one or more Collections, and to Reproduce the Work as incorporated in the Collections; and,
- to Distribute and Publicly Perform the Work including as incorporated in Collections. For the avoidance of doubt:
- . In those jurisdictions in which the right to collect royalties through any statutory or compulsory licensing scheme cannot be waived, the Licensor reserves the exclusive right to collect such royalties for any exercise by You of the rights granted under this License;
- Waivable Compulsory License Schemes. In those jurisdictions in which the right to collect royalties through any statutory or compulsory licensing scheme can be waived, the Licensor waives the exclusive right to collect such royalties for any exercise by You of the rights granted under this License; and,
- Voluntary License Schemes. The Licensor waives the right to collect royalties, whether individually or, in the event that the Licensor is a member of a collecting society that administers voluntary licensing schemes, via that society, from any exercise by You of the rights granted under this License.
4. Restrictions. The license granted in Section 3 above is expressly made subject to and limited by the following restrictions:
- You may Distribute or Publicly Perform the Work only under the terms of this License. You must include a copy of, or the Uniform Resource Identifier (URI) for, this License with every copy of the Work You Distribute or Publicly Perform. You may not offer or impose any terms on the Work that restrict the terms of this License or the ability of the recipient of the Work to exercise the rights granted to that recipient under the terms of the License. You may not sublicense the Work. You must keep intact all notices that refer to this License and to the disclaimer of warranties with every copy of the Work You Distribute or Publicly Perform. When You Distribute or Publicly Perform the Work, You may not impose any effective technological measures on the Work that restrict the ability of a recipient of the Work from You to exercise the rights granted to that recipient under the terms of the License. This Section 4(a) applies to the Work as incorporated in a Collection, but this does not require the Collection apart from the Work itself to be made subject to the terms of this License. If You create a Collection, upon notice from any Licensor You must, to the extent practicable, remove from the Collection any credit as required by Section 4(b), as requested.
- If You Distribute, or Publicly Perform the Work or Collections, You must, unless a request has been made pursuant to Section 4(a), keep intact all copyright notices for the Work and provide, reasonable to the medium or means You are utilizing: (i) the name of the Original Author (or pseudonym, if applicable) if supplied, and/or if the Original Author and/or Licensor designate another party or parties (e.g., a sponsor institute, publishing entity, journal) for attribution ("Attribution Parties") in Licensor's copyright notice, terms of service or by other reasonable means, the name of such party or parties; (ii) the title of the Work if supplied; (iii) to the extent reasonably practicable, the URI, if any, that Licensor specifies to be associated with the Work, unless such URI does not refer to the copyright notice or licensing information for the Work. The credit required by this Section 4(b) may be implemented in any reasonable manner; provided, however, that in the case of a Collection, at a minimum such credit will appear, if a credit for all contributing authors of the Collection appears, then as part of these credits and in a manner at least as prominent as the credits for the other contributing authors. For the avoidance of doubt, You may only use the credit required by this Section for the purpose of attribution in the manner set out above and, by exercising Your rights under this License, You may not implicitly or explicitly assert or imply any connection with, sponsorship or endorsement by the Original Author, Licensor and/or Attribution Parties, as appropriate, of You or Your use of the Work, without the separate, express prior written permission of the Original Author, Licensor and/or Attribution Parties.
- Except as otherwise agreed in writing by the Licensor or as may be otherwise permitted by applicable law, if You Reproduce, Distribute or Publicly Perform the Work either by itself or as part of any Collections, You must not distort, mutilate, modify or take other derogatory action in relation to the Work which would be prejudicial to the Original Author's honor or reputation.
UNLESS OTHERWISE MUTUALLY AGREED TO BY THE PARTIES IN WRITING, LICENSOR OFFERS THE WORK AS-IS AND MAKES NO REPRESENTATIONS OR WARRANTIES OF ANY KIND CONCERNING THE WORK, EXPRESS, IMPLIED, STATUTORY OR OTHERWISE, INCLUDING, WITHOUT LIMITATION, WARRANTIES OF TITLE, MERCHANTIBILITY, FITNESS FOR A PARTICULAR PURPOSE, NONINFRINGEMENT, OR THE ABSENCE OF LATENT OR OTHER DEFECTS, ACCURACY, OR THE PRESENCE OF ABSENCE OF ERRORS, WHETHER OR NOT DISCOVERABLE. SOME JURISDICTIONS DO NOT ALLOW THE EXCLUSION OF IMPLIED WARRANTIES, SO SUCH EXCLUSION MAY NOT APPLY TO YOU.
6. Limitation on Liability. EXCEPT TO THE EXTENT REQUIRED BY APPLICABLE LAW, IN NO EVENT WILL LICENSOR BE LIABLE TO YOU ON ANY LEGAL THEORY FOR ANY SPECIAL, INCIDENTAL, CONSEQUENTIAL, PUNITIVE OR EXEMPLARY DAMAGES ARISING OUT OF THIS LICENSE OR THE USE OF THE WORK, EVEN IF LICENSOR HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
7. Termination
- This License and the rights granted hereunder will terminate automatically upon any breach by You of the terms of this License. Individuals or entities who have received Collections from You under this License, however, will not have their licenses terminated provided such individuals or entities remain in full compliance with those licenses. Sections 1, 2, 5, 6, 7, and 8 will survive any termination of this License.
- Subject to the above terms and conditions, the license granted here is perpetual (for the duration of the applicable copyright in the Work). Notwithstanding the above, Licensor reserves the right to release the Work under different license terms or to stop distributing the Work at any time; provided, however that any such election will not serve to withdraw this License (or any other license that has been, or is required to be, granted under the terms of this License), and this License will continue in full force and effect unless terminated as stated above.
- Each time You Distribute or Publicly Perform the Work or a Collection, the Licensor offers to the recipient a license to the Work on the same terms and conditions as the license granted to You under this License.
- If any provision of this License is invalid or unenforceable under applicable law, it shall not affect the validity or enforceability of the remainder of the terms of this License, and without further action by the parties to this agreement, such provision shall be reformed to the minimum extent necessary to make such provision valid and enforceable.
- No term or provision of this License shall be deemed waived and no breach consented to unless such waiver or consent shall be in writing and signed by the party to be charged with such waiver or consent.
- This License constitutes the entire agreement between the parties with respect to the Work licensed here. There are no understandings, agreements or representations with respect to the Work not specified here. Licensor shall not be bound by any additional provisions that may appear in any communication from You. This License may not be modified without the mutual written agreement of the Licensor and You.
- The rights granted under, and the subject matter referenced, in this License were drafted utilizing the terminology of the Berne Convention for the Protection of Literary and Artistic Works (as amended on September 28, 1979), the Rome Convention of 1961, the WIPO Copyright Treaty of 1996, the WIPO Performances and Phonograms Treaty of 1996 and the Universal Copyright Convention (as revised on July 24, 1971). These rights and subject matter take effect in the relevant jurisdiction in which the License terms are sought to be enforced according to the corresponding provisions of the implementation of those treaty provisions in the applicable national law. If the standard suite of rights granted under applicable copyright law includes additional rights not granted under this License, such additional rights are deemed to be included in the License; this License is not intended to restrict the license of any rights under applicable law.
2
It started back in 2010, and I joined it in 2011. I only stayed dedicated for a month because death was powerful. Unless you had a bed, of course. The spawn is entirely just gone. Lava and cheap cobble and stone structures blanket the world for hundreds of blocks, and the devastation can be very much seen for thousands of blocks. I haven't been on the server in a long time, but it's still up and going on. I'm not familiar of the factions, but what I'll describe in this post is what I experienced back when I joined. Results now, 2 years late, will obviously vary.
I spawned in. The first thing I noticed was people punching each other and lava everywhere. The higher ups had made the spawn an object of entertainment. With new people streaming into the server, they decided to make a massive stone mountain at the spawn block, and flood it with lava. There was only 1 path off the mountain that you could survive. I attempted heading down the seemingly insignificant 3 wide stairs with lava around it, but it proved a problem as 15 people were constantly trying the same thing. It's funny how just spawning was difficult! People were fighting and pushing others into lava with the hope of only themselves making it off. Of course, once you got off you had no reward. There was no person waiting there to feed you, supply you, and send you on your merry way. Nope, quite the opposite. Most of the lava was around the spawn only. There were random bits of lava, but yeah, the majority was at the mountain. So outside of spawn was a pretty dark place. Strip mines were everywhere, and bridges over chasms were unsafe. I died a lot, outside of the spawn zone. Skeletons shot me off constantly until I either died of starvation or falling. Which was the issue. I tried to not punch as much, as punching depletes hunger. So I would normally get off the mountain with only a bar and a half missing, of hunger.
That was what spawn was like. On the most successful run out of spawn, I met up with a faction of 10 people, fully equipped with diamond armour. They greeted me, and I got scared and kinda skirted around them. They threw down some melons and wooden planks, and walked back to their base. I approached the items with caution, and once I got them I bolted. Once I was safe, I gave them my grattitude and continued. This is all in the presence of just stone and cobblestone floors. Dirt was gone from site, except the small veins that broke the surface. Grass was nonexistent for me. Not once had I seen a single grass block, in thousands of blocks of journey. Then, out of pure and subsequent luck, I found a lonely tree next to a small dirt hut. Being the good samaritan, I took the logs and replanted. I got a hefty profit of 3 saplings, and continued my way. About 6 thousand blocks out, I started seeing grass. This was great! But thing is, all of this happens after the 1.8 update that added hunger, and of course, the new mob spawning behaviors. All the mobs were gone from the landscape, and I couldn't find a single tall grass block or passive mob. I dared to tango with a skeleton and waste time trying to get bones, but I was running low on melons. I made a rudimentary farm next to a water source and began farming a bit. I did die from hunger before I could get bread though, and I had to take a grueling journey from spawn, back to my place of death. Of course, by then, I'd have died numerous more times. It was very hard to get there before I died of hunger again, but I managed to make it just before I died again. After that I just waited for some wheat to grow. After I got a hefty amount of bread I continued on.
Travel was bland and didn't have much in store. So from here I'll talk about the milestones. Here's a list of what I encountered in order:
I arrived at 50,000 blocks out, and still felt insecure of my survival. There was a story of this guy who walked to 100,000 blocks out and still found a player, who killed him. It was scary, even in the safety of the huge block distance. The server has no rules, so I raided my share of bases that I came across. After that, I got... irritant. I decided to download xray and zombe's fly mod and have my fun in hacking. I flew around and mined all the diamonds I could get. I raided hidden chests, and got to my glorious 2 stacks of diamonds. I then got a little bored of the useless travel and headed back to around spawn to meet someone. He died along the way whilst I made it. I grew tired of the death and racial slurrs, and decided to cut it at that point. I dug myself in and holed up, and logged off the server.
It's now been 2 years. I logged back on just now and found to be in the same position that I left 2 years ago. I think I'll play some more, maybe hit 100,000 blocks this time. There is far less people on now then there used to be, and there seems to be little to no verbal abuse in the chat. Though, everyone still seems disrespectful and arrogant. It will be fun, and... heh, just like old times.
2
By the way, I give you the right to use my texture work from the original EVMC as placeholders or as the final product. I'm just happy all our work didn't poof away. :3
1
You don't click the signs, you click the ladders or doors.
3
Delete Meta-Inf.
The mod includes Modloader already, so you would need to do so.
Same as above, try deleting Meta-Inf.
The mod includes Modloader already, so you would need to do so.
Again, as above, try deleting Meta-Inf. Modloader is included so this is a must.
You need to open the 'bin' folder, and open the .jar with an archiving tool, IE; WinRar. Select EVERYTHING from the .zip you download, and paste into the .jar. Delete Meta-Inf, and you're good to go!
Tip: Backup your .jar, in case you make a mistake. Do this by right clicking the jar, and clicking 'send to > Compressed (zipped) folder'
Thanks!
Morale +150
Level Up! Now level 27.
Morale +150
Currently level 27.
Achievement get: Jaw dropper: Drop it like it's hot!
Thanks! We appreciate all these comments. :3
1
CONGRATULATIONS! Tributes will be PM'd the IP and we'll begin piling into the server.
2
2
Aye- if you go to Reddit's time machine, go to the year 2015. We have it done by then.
Joking.
1
To Thungon: Check the upper right corner. :smile.gif:
2
Being one of the main block/item texturers for Evil Minecraft, I can tell you a bit about the mod before it is released. Most of which, isn't released to the public yet... but, what would you like to know? Ask me anything about features and blocks or items that have been added. I'll just hope Miclee doesn't see this himself. ;3
So ask away, I'll answer anything you want.
12
Vids101man, a young youtuber, has posted countless videos of him talking about subjects. Problem; he is about six. People flame him, troll him, and give him **** telling him to kill himself... and being a people person, I find this complete and UTTER ********. First of all, negative words such as, and I quote from a comment, . And what happens if he does? Cops will be on the scene, people will be arrested, tears shed, families devastated.
I want people to do me, and him, a favor. Go to his channel, like all of his videos, and comment positive things on them. I once had to suffer like he did. One of my videos, with 20k views, has 4.7k dislikes, and only 276 likes, because my voice a while back was that of a screeching bat. So, with my experience, I hate seeing other suffer like such. Please, do a good deed, and save a life.
/rant/ disengage.
/rant/ edit:
To those who say 'OH he is a kid, he'll brush it off!'
Well look at this response by him, made before he even got the majority of the hate.
Yes it is a generic horrible comeback response video that feeds trolls, but you can obviously tell by his expressions and wording that he is hurt.
And also, search up on Google, 'suicide in south Hadley bullied to death' (Thanks Slyyz)
This crap DOES affect kids, and it DOES affect their lives.